Old collection
Collection of 20th and 21st centuries
Collection of posters
Collection of chalcographic plates

The Collection of Prints and Drawings by the Old Masters, the so-called Old Collection of the Department of Prints and Drawings, holds – same as in any other institution of this kind – the status of an exceptionally valuable collection, which – due to its age, fragile nature and importance – confirms the greatness of the history of the European print art through the prints and their authors. In the year 2006, the Collection of print sheets and drawings of 19th century was joined to the Old Collection, which includes the print sheets of the European schools from 16th to the end of 18th century; thereby, the material covered by these two collections, reaching far back into the history of prints and drawings, had increased to approximately three and a half thousand sheets.

Apart from the exceptional care in their mounting, the exhibitions of the old masters – to the names of whom European engravers, publishers and collectors are linked – are accompanied by catalogues, in which the attempt is made to offer the best possible insight into each individual work of art, its author, print code and manuscript. The catalogues of the Italian print art from Marcantoni Raimondi to Piranese and the Italian neo-classicists have been published so far; preparations are underway for composing the catalogues of other European schools: the Dutch, from Lucas van Leyden to Houbraken; the French, from Jacques Callot to Paul Gavarni; the German, from the minor masters H. S. Beham and Aldegrever to the Killian circle of engravers. The Collection of old drawings is planned to be published; this material is almost completely unknown, prevailed by the Italian drawings of 17th century, but crowned by the mannerist drawing “Judith and Holofern” by Juraj Julije Klović; in the Collection of old prints, the prints by Martin Rota Kolunić, a Šibenik-born, who worked as court engraver in Vienna and Prague in 16th century, are estimated similarly valuable in their category to the aforementioned drawing.

Along with the Old Collection, the additional Collection of facsimiles of the greatest European print masters offers excellent educational material, by the exhibiting of which the Department of Prints and Drawings attempts to maintain and foster the sensibility toward the rarely available works by the old masters.


 
 
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